'Vestige 8', Hugh Marwood,
Acrylics, Paper Collage, Ink, Spray Enamel, French Polish, Misc. Solvents& Decorator's Caulk on Panel, 60 cm X 60 cm, 2016
I'd like to share the text that artist Hugh Marwood has written to accompany the exhibition, 'A Minor Place' at Artists Workhouse, Studley...
A Minor Place
Wandering and wondering in a minor place. Bathed in the sick glow of industrial light and irradiated sky. Be-totemed with blank Cadmium. The high-tension hum within the skull, where purpose falters - adrift in the amnesiac zones.
Night falls in through particulate dusk, and the ticking intervals of cooling diesels. Looming tractor-units corralled in galvanized stockades. The petro-dollar trail of oiled tarmac and the iridescent film on a sluggish canal. An economy falters. Cargoes at statutory rest - just in time.
An ice field of clustered cabs. Blue TV flicker through a screen of filth. The camera, winking red with each passing. The parasite whine of servo motors - high above the city’s distant quake. Remotely monitored, Auto-land.
'Artic Landscape', Shaun Morris, oil on canvas, 200x150cms, 2015-16
And on - drifting, disembodied amidst dirty render and cataract panes, in an endless Now of abandoned occupancy. The scraped palimpsest and wiped window. Vestigial frames and the petrified squiggle of redundant mastic. Searching for anagrams amongst scattered shards of signage. Take no notice – the passage is redacted. Your name erased – wiped in solvent. Listen for the echo of lost voices – dying away in haunted spaces.
'Wiped Windows 15, Hugh Marwood, photograph
Nothing left now, but the assemblage of new fictions. Erect a pin-board of forgotten dreams. Memos of abuse on adhesive notelets. Navigate with new, bogus mythologies – rejecting useless maps of uncharted territories.
Salvage these halftone tatters and discarded communiqués. Compose a fitting memorial. Only collage serves now – if new clues are to emerge. Gather the lost, plastic cattle, herding them indoors, and into pastures new.
'What Makes You Act So Cruely and Violently Toward The Children?'Andrew Smith, collage and acrylic on canvas
There is abundant birdlife beneath the interchange. And a warehouse of meaning out there, somewhere - on a permanently illumined trading estate. It hums softly, in the shadow of the motorway, at 3 am.
Hugh Marwood, 2016
The exhibition opens on Saturday morning 3rd September. Hope to see some of you there....