‘This exhibition is dedicated to the memory
of my brother, Stuart Morris, 1972-2009.’
This was something I’d added to my
introduction to ‘Stolen Car’ on Saturday.
I had just greeted a few friends, who had
arrived for the afternoon private view, when a visitor to the show, a fairly
elderly man in glasses, came out of the gallery and approached me holding the
printed introduction.
‘So how did you brother die?’ he asked.
‘He died of cancer,’ I replied, although
somewhat taken aback.
‘The paintings are very dark…..is that
related?’
‘Well….they represent the night that he
died and my memories of that. This is where I was the night he died as I went
to see him for the last time. I was driving under these motorways, which I’ve
known all my life, to his house just beyond’.
He looked at me.
‘It’s such a vivid memory…’
‘Of course….’
‘…..and ever since I’ve felt compelled to
record my memories of that night in some way. I’ve thought about writing about
it, or something like that, just for myself…but anyway…I mean I’ve tried
painting about my feelings in lots of other ways but not really come close, it
was only once I’d painted about the fifth of these motorway paintings that it
struck me that here I was, telling the story of that night. It was quite a
shock, but there you go. It can happen like that’.
‘They are certainly powerful pictures’,
‘Thanks. I’m glad you think so.’
‘Do you mind if I take it with me?’ he
asked, waving the introduction in his hand.
‘No, no, please do…’
As he went merrily on his way, I was feeling slightly dazed. I was left wondering, how come I ended up telling all that to a complete stranger?
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