'Susan', I-Pad painting
I took my exhibition down last Friday.
According to the gallery’s own visitor counter, I had 1052 people pass through
the doors to view my paintings, which is pretty good. I also had some really
positive comments about the work left in the comments book, which makes you
feel that the work has reached out and communicated to an audience in some way. Still, it has been a rather exhausting few months with this and the "If A Picture Paints a Thousand Words...' exhibition in November. It feels like a weight has been lifted in the studio, where I just want to play. I need a break from this sort of activity for a while....
After all this work around the landscape in
recent months, it was strange to head up to Slaithwaite on the edge of the
Yorkshire Moors yesterday to make a drawing for a portrait commission I’d been
asked to do. I have made very few portrait paintings since launching this
website in 2008, apart from the ones I do at the college Arts Festival. Immediately
prior to this I had just completed a commission for my college’s prestigious
new building, where I made four mural sized (8ft x 12ft each) portrait paintings
in just six weeks. The experience nearly killed me, and was extremely
stressful, but was balanced by the wonderful opportunity to make some
site-specific work and paint on a large scale, which was great fun. However,
that summer I literally worked every minute I had on those paintings right up
until the last minute they had to be finished. Since then, I haven’t felt very
inclined to make any new portrait work.
But yesterday, having toured the north of
England and the Yorkshire Moors lost in the dark travelling up the previous
evening, I hit the north to make a drawing of Susan who had ‘won’ the
opportunity at the ‘Culture Club’ she attends to have her portrait painted by
yours truly. ‘Culture Club’ is a small group of older people who attend and
participate in various arts and cultural events which is run by a arts in
health organization called The Open Art Project who I still have contacts with,
having been a founding member of the project some (gasp!) eighteen years
ago. Open Art is still going strong and
is a well established arts organization in West Yorkshire now with many
different strands to it.
Despite lots of experience of making
portrait drawings in allsorts of places, it is still a nerve-wracking
experience for both the sitter and myself (which is how it should be). I worked with Susan at her home in
Slaithwiate (or Slawit as it is known in Yorkshire), with her husband also
present. I really enjoyed meeting Susan, who was a lovely woman and listening
to her Yorkshire accent as she talked about her life and family. I completed a
detailed pencil drawing, and a painted study on the i-pad over three hours. It
was quite intense, and I felt mentally drained as I headed back south on the
motorway. I could tell Susan and her husband were unconvinced by her likeness
in the drawing, which made things a bit awkward, but I wasn’t. After three
hours staring at someone, a deeper record of their features does get etched in
your memory. I’ve just got to prove that
to her with the finished portrait which I will make in the next few weeks. It
had been great to be back in Yorkshire, albeit just for the day. Watch this
blog to see how the painting progresses….
No comments:
Post a Comment