Some of my portrait drawings completed at JCC Arts Festival
On Saturday the Art Department I work in at Joseph
Chamberlain Sixth Form College in Birmingham held it’s annual Summer Arts
Festival. There were lots of activities
and art workshops to enjoy and participate in, and also music and performing
arts. I’ve written on the blog about it before and described my experiences of
either painting or drawing portraits of willing volunteers. I try to do it
differently each year to keep myself challenged and also not to appear to be
trotting out the same old schtick each time too.
Right up until my first session at ten in the morning I was
umming and ahhing about what I should do this year and came duly prepared. I
was undecided whether to do some colourful pastel portraits or some moodier,
large charcoal drawings. I thought I would wait to see who my first sitter was
and then decide. When Mark, boyfriend of
colleague Sally, looking quite Biblical with his long hair and beard, sat down
in front of me the answer revealed itself: it had to be the moody charcoal. He
was a gift to draw.
'Mark'
I really enjoyed working larger and exploring the
versatility of the brittle willow charcoal. Working larger also allowed people
to watch the process more easily, which lead to quite an audience gathering
behind me at times, and I’m not sure if the scale (the drawings were A2)
contributed to this rather than my drawing skills, but when I revealed the
finished drawing to the sitter I received real gasps of astonishment and
pleasure that, in over 15 years of doing portraits with a sitter like this,
I’ve never really had before. It was a nice surprise. I was on fire! In around
five hours I completed eight drawings. My head was like mush at the end of the
afternoon.
'Tazneem'
The drawing had been fun, but what had been better were some
of the conversations I had with the sitters. In particular, a long conversation
with a young Muslim guy (nearly all my students are Muslim) studying Islamic
Studies and living in a nearby student hostel. We talked at length about my own
atheism and his own Islamic faith, which I enjoyed, but also about people’s
perceptions of him. ‘They see me coming down the street and they think I’m a
terrorist because of my appearance’, he decried, understandably finding it
really upsetting. I would have liked to
talk more about this, but with the drawing complete and the next sitter waiting
it was difficult. He was visibly moved by the drawing, and asked if he could
give me a hug, which was touching. I’d been moved listening to him. He was only
eighteen, had moved from his home in Bradford to the hostel, had no family
around, and had clearly found these changes difficult.
'Faisal'
The experience reflected a lot of my recent thoughts about
working at the college which is located in the heart of the East Birmingham community
under scrutiny over the controversial ‘trojan horse’ allegations in some local
schools. Many of the schools recently inspected by Ofsted, and deemed now
‘inadequate’, and reported about by the
media are our feeder schools. There have been things going on in some of these
schools that should cause concern, but there has been such an Islamaphobic and
racist tone to most of the coverage one has to question the agenda on one hand,
but also the general ignorance of many of the commentators and journalism. I
found Ian Hislop’s comments on Question Time really offensive and patronising
in the week that the news broke, but also unsurprisingly Michael Gove’s, the
Secretary of State for Education, whose answer, also unsurprisingly, to these
problems were to turn all the schools into academies. Not that the academies
programme is one of the causes of these problems of course. His single-minded mission to privatise our
education system has all the hallmarks of fundamentalism being led by a
religious zealot.
'Mohammad'
'Zaiba'
The point I would like to make, however, is about my own
positive experiences of working with young people from this Muslim community of
Birmingham. I’ve never worked with such nice students, who come from some
incredibly deprived backgrounds. They have, and continue to be, the friendliest,
warmest, tolerant, generous, kind and respectful community. They also have a
great sense of humour and a real commitment to their studies in the Art
Department. I’ve learned so much from them and they inspire me. They seem to
live and practice by example so much more the so-called ‘British Values’
currently talked about, which huge swathes of our society seemed to have left
behind a long, long time ago.
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