‘Whether a nude, a landscape, or a still life of a man’s hat, the focus is the visual language the works all share…Known as, and frequently referred to, as a ‘painter’s painter’, Thiebaud is less concerned with a naturalistic depiction or a true likeness of his subject, but more interested in solving formal issues. The artist explains: ‘Painting is a series of problems that you are trying to solve-base, colour, design, composition and those intrinsic characteristics, rather than all the things that happen afterwards extrinsically- expressions, individualism, subject matter, iconography. It’s all important, but first and foremost for me is the formal plan’
.…For all its bright modernity Thiebaud’s art readily pays homage to past traditions. While his brushwork is readily influenced by the action and colour field painters, the compositional arrangements look back to Chardin, Manet, Georgio Morandi and Edward Hopper, amongst other heroes’
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