Charcoal on paper
Abandoned on the side road that snakes
around the back of the college where I work there is currently a burnt out
shell of a car. It is just a hollowed out shell too, with nothing remaining of
the insides and barely anything left of the wheels. I was shocked when I first
encountered it, as one can’t but project all sorts of grim and violent
narratives onto such an object. I found myself compelled to take a few
photographs of it as a record, wondering, I must admit, if such a thing had any
potential to be developed into a painting that had a place in this current
series that is evolving about abandoned vehicles. Not coming across scenes like
this very often, it seemed to good an opportunity not to record it before it
was removed.
I was surprised to see it still there
nearly two weeks later, and decided to visit the site again under cover of
darkness to take some further photographs of it illuminated under the
streetlight above. I’ve started now to attempt some drawings from these, above
which is one of them, to explore whether it has any potential as a subject. I’m
aware that it is a bit extreme, which is not something I am normally attracted
to. It just seems to fit right now, and
that’s enough. I don’t think it’s good to analyse things while you are making
them. There should be some mystery.
John Salt, 'Desert Wreck', airbrushed paint on canvas, 1972
Andy Warhol, 'Green Car Crash', silkscreen on canvas, 1963
Of course, I’m reminded of John Salt’s photo-realist paintings of car wrecks in American trailer parks, or even Andy Warhol’s paintings of car crashes, so I’m in good company.
And of course the title for this post references
Springsteen’s great and bleak song of the same name from the magnificent ‘The
River’ album. Side two of that record has many dark songs, including ‘Stolen
Car’ which I referenced in my recent exhibition at Rugby Museum and Art
Gallery.